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Sacred geometry Tote Bag
Much of my color artwork can be purchased from Cafe Press on a wide variety of products. Click the Product links on the left to go directly to the product page at my Cafe Press Store.

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Arcturian Messages

We are Arcturians of 6th dimensional consciousness.  We will relay to you the meaning and awareness that these graphic symbols can provoke in the viewer’s being.  Each is coded with a particular pattern that aligns with a specific frequency that is encoded in the potential of each human being.  By viewing these images, and reciting the intention meditation, one may activate these frequencies within oneself.  These images can be used as tools to awakening the whole self to a higher level of consciousness or ascension to a more aware state of being.  All aspects of the images, colors, shapes, sizes of shapes and the positioning and number of each shape in the whole image has meaning to the matrix of the Earth and the human being within its sphere.

About the Artist

My name is John Paul Polk and I am an artist and entrepreneur living in Eugene Oregon. Throughout my life I have always been drawing things but more in a geometrical sense than one of landscapes and portrait type work. In the mid 90's I created geometric style art but had no idea why or what it meant. To me it was just cool to look at and I have very little of it, if any, saved from that period of time.

In 2001 I started my own Guitar Pick Guard fabrication business which I still own and operate today. For many years it kept me quite absorbed with the every day tasks of running a business and keeping up with production. I started out part time with a second job as a screen printer from an earlier business partnership then after about three years I quit that job and went full time with the guitar business.

It was in the screen printing job that I learned to become familiar with various types of graphics software and I was challenged daily to recreate logos and artwork to make it suitable for screen print production. Those learned skills along with my personal spiritual and metaphysical interests are what enable me to create the artwork I do today

In January of 2008 I discovered Sacred Geometry. My first real introduction was through some You Tube videos by Charles Gilchrist. When I saw what he was teaching and expressing though his art I quickly realized that this is the path I wanted to pursue. I began immediately to draw things like the flower of life and various other Sacred Geometry symbols.

I wanted to take the whole thing to another level and I felt so inspired to incorporate aspects of other things I was interested in into my art such as ancient civilizations, the pyramids, the Earth Moon relationship to name just a few and in addition I would read books on Sacred Geometry and sacred numbers and ratios and use the information learned in my artwork.

It took a few months before I really had something good and original together and I sat on it all for about a year until I had some shirts made so I could wear them to see if I would get any reactions. I went to an ECETI conference in Washington State and wore my shirts there and it was there that I met some people that came up to me and commented on my work and some in particular told me they had messages from their guides that they needed to share with me. The main message was that I was supposed to pursue this work.

Naturally I loved to hear that but I questioned if it was just what I wanted to hear but it felt good and I became very inspired to move forward with it. From that year of the conference in Washington, a year later I had my own vendor booth there and I was selling my work and doing very well.

As I began to move into this role of Sacred Geometry artist I struggled with the money factor. I really wanted to make a living at it but at the same time I did not want it all to be about the money. One of the messages I received is that Sacred Geometry is activating to the human DNA or in other words the mere observation of Sacred Geometry is awakening something inside us or elevating our consciousness. Kind of like when we look at Crop Circles, which in themselves are Sacred Geometry, we can't help but wonder about the mystery whether they are man made or from a higher source. It's my belief that the mere contemplation of such a matter raises one's consciousness.

The more I do this work I realize it's OK to make money doing it because my heart is really in the sharing of the message. I want people to enjoy the work and be inspired to pursue it on their own. At the same time there are expenses and the bills don't stop just because one is pursuing a path of light work. The reality of whether making money is good or bad is what you believe it to be.

In 2009 I met Jill Mara and her partner Eugene Smith at the ECETI ranch in Washington State during a Self Mastery training class. We connected for a short while there and then moved on. Several weeks later Jill and Eugene came through Eugene Oregon and looked me up. We had a short visit but somehow new that we had a special connection but time was short and we each moved on again. We kept in contact and this past February of 2011 Jill and I had the opportunity to share a booth together at the Conscious Life Expo in Los Angeles. Jill selling her books and CD's and me selling my Sacred Geometry Art.

I think we both hoped that we would do well at the expo given that it was LA and all the people that would come through but in the end it was financially not what we had hoped for. It cost more to do than what each of us brought in but I was strangely detached from that aspect of the experience. Sure it would have been great to make money or at least break even but this was about so much more.

During our time together there we all realized that we were much more connected and that we had a purpose together to make something happen. We knew that we had to stay closely connected and combine our efforts to help raise consciousness of the planet using whatever skills we had available to us.

Jill is a Channel for Simion, which it is better explained if you read her bio here. Or visit her website here.

I asked Jill, while in LA, if she would be interested in working with me on some projects where perhaps we could use some quotes from her book to go in conjunction with my artwork or if she could teach me how to connect to my higher self to find the meanings behind my inspired work. She seemed interested in the idea and in the subsequent weeks I created over a dozen new pieces of work and reworked some other stuff from the previous two years.

Everything I had worked on was, I felt, inspired or given to me from a higher source and I felt it just could not be wrong. I then decided I would send all of the new work to Jill and ask her if she could add words to my work. Her immediate response was that she felt she needed to channel some Arcturian energy for them and she seemed genuinely excited about the process. About two weeks later she returned the images with the channeling's which included an overall word associated with the image, a short paragraph and an intention mediation to accompany each image. I was elated at the final result and my immediate feeling was how right this felt and I new we could take this much further.

So now we have a body of work to present in hopes that we can create some media to get it out there to the masses to inspire and uplift them to a new understanding of higher consciousness. You'll see much of the work here on my website as I pull it all together and you can find much of it and more available in my store on the Cafe Press website printed on various products that they offer.

In conclusion I would like to express my deepest gratitude for my abilities to do what I do and to all of those individuals who have encouraged me and inspired me to move forward with this. The work will continue and evolve as we move together through our evolution.


John Paul Polk